United Kingdom Thaxted Pageant 2024 [2] – Mozart Die Zauberflöte (sung in English, translated by Jeremy Sams, abridged): Soloists, Orchestra / Orlando Jopling (conductor). Thaxted Parish Church, 30.6.2024. (CC)
Manufacturing:
Director – James Hurley
Designer – Sophie Lincoln
Forged:
Pamina – Natasha Web page
Tamino – Richard Dowling
The Queen of the Night time – Luci Briginshaw
Papageno – Gareth Brynmor John
Papagena – Eleanor Sanderson-Nash
Sarastro – Trevor Eliot Bowes
Monostatos – Ben Thapa
First Girl – Eleanor Oldfield
Second Girl – Martha Joes
Third Girl – Abbie Ward
Speaker – Henry Wright
Priest – Lachlan Craig
The luxurious manufacturing of Donizetti’s L’elisir d’amore (sung as ‘The Elixir of Love’) by Wild Arts at Thaxted Parish Church final 12 months as a part of the Thaxted Fesival was what drew me again this 12 months for The Magic Flute.
A bigger ensemble this 12 months was onstage (it was a smaller group for the Donizetti, there with beautifully crafted use of an accordion). The 2 productions shared a propensity for prime creativeness, utilizing restricted area and props to maximal impact. There are cuts and tweaks on this Flute, however regardless of this the entire flowed, and Wild Arts is hardly the primary to re-order Mozart (Beecham famously did for his HMV recording of Die Entführung aus dem Serail, for instance). So it’s that the Three Women tackle among the Boys’ music, and the beginning of the second act is redistributed so the Queen of the Night time’s second aria precedes the Quintet (which permits for a suggestion of a connection between the Women and Pamina)
Curiously, there are parallels right here between James Hurley’s creative staging (and Wild Arts’ work basically) and that of Stephen Langridge’s Gothenburg Ring: Each are ecologically conscious. Wild Arts describes the set for Flute merely as ‘a blue mat, eight stools, and a handful of LED strips’; the characters are costumed with recycled and reused supplies. However the clue is within the opera’s title, Zauberflöte: Wild Arts makes magic occur. It isn’t solely Mozart’s flute which enchants, however the mixture of youthful expertise, an excellent group of proficient skilled instrumentalists, a positive conductor and an imaginative director in James Hurley, ably supported through Sophie Lincoln’s vibrant designs.
The Thaxted/Gothenburg parallels don’t finish with the environmental side although. On the opening of the Mozart, in the course of the Overture, we see the Queen of the Night time rending the Solar Disc in two; the same deadly shattering happens within the Ring, leaving fractured outlines – human, there – throughout the stage. It’s instantly clear Mozart’s world is that of juxtapositions and oppositions, of sunshine and darkish, of organised perception towards extra human emotion. It’s in Mozart the journey to the Mild that’s paramount, and every manufacturing faces the dilemma of easy methods to skew the emphasis between the fairy story (and even the comedic) and the deep spirituality of Freemasonry. If the Masonic factor was essentially subdued right here (the trials would have been, nicely, a trial to stage in a parish church), this manufacturing stays true to the core values of Wild Arts: phenomenally creative, relentlessly entertaining, and stuffed with perception.
The entire was, as with the Donizetti Elisir, fantastically carried out by Orlando Joplin (who additionally performed the keyboard ‘bells’). The inventiveness of the orchestral discount was the supply of many a delight. First violin Sijie Chen, co-leader of the London Mozart Gamers, clearly had an inordinate quantity to do and delivered with model and true tuning. The precise instrumentation used was strings (2:1;1;1), oboe, clarinet, basset horn, horn and bassoon. So far as the Overture was involved, this redistribution had essentially the most exceptional impact: this gave the impression of the right weekend afternoon Harmoniemusik!
There was a lot to admire within the robust forged. Soprano Natasha Web page has a beautiful, pure voice and was absolutely able to projecting Pamina’s searing ache within the second act; her assertion of ‘Tamino mine’ was really touching. If Richard Dowling as Tamino appeared initially to over-project within the church’s acoustic, he dd settle to ship a most interesting, strong-voiced account.
Forged in amongst princes and princesses plus a Queen of the Night time and her darkish entourage, the touchingly earthy and human determine of Papageno was beautifully taken by robust baritone Gareth Brynmor John (a singer lively at Welsh Nationwide Opera). The half requires big character, and John’s clear stage presence and aptitude for comedy enabled him to offer the requisite steadiness; his Papagena was Eleanor Sanderson-Nash, brilliantly comedic too and their voices meshed fantastically. With Trevor Eliot Bowes a resonant and authoritative Sarastro (there are not any fewer than three Sarastros in Wild Arts’ run), Ben Thapa an impressive Monostatos (taking in each inch of the half’s alternatives) and beautifully chosen smaller elements (the Three Women significantly spectacular), that solely leaves the notorious Queen of the Night time. Luci Briginshaw has the vary, she has the presence; and he or she introduced a feisty Queen possessed of terrific ihigh notes.
Wild Arts continues to entertain and to stimulate in equal quantities. This, certainly, is what fringe opera is all about. I stay up for their providing subsequent 12 months …
Colin Clarke
Featured Picture: the forged of Wild Arts’ The Magic Flute at Thaxted Parish Church
